The Archivitory®

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Inside look at Ferrari Luce interior design by Jony Ive’s studio LoveFrom - LoveFrom brings a multidisciplinary approach to Ferrari Luce, crafting a seamless bond between driver, machine, and interface. The interior boasts precision-crafted recycled aluminium, Gorilla Glass, and tactile controls, exuding clarity and sophistication. A fresh perspective on Ferrari through LoveFrom’s expertise, where tech meets intuition. - #FerrariLuce #archivitory

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@mertramertra make some fire stuff #archivitory #vintagestyle #coolbrands

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Meet Ursus Wehrli, a German artist who creatively tackles mess by organizing objects and situations into neat order. Some might call it OCD, but he just likes things tidy. 📸: @ursuswehrli #Archivitory

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Embroidered Sculptures by @alice.kozlow #Archivitory

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They’ve got all the fresh stuff #fyp #aesthetic #gorpcore

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Replying to @Gano one of the best I’ve seen @baselbaselshop #gorpcore #fashiontiktok2022 #archivitory

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taewon ahn (@ppuri_) creates art inspired by his beloved cat hiro #archivitory

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Panoramic photos gone wrong from r/panoramicsgonewrong #Archivitory

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Play-Doh creations @eddie.psd #Archivitory

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French artist Mathieu Tremblin is best known for Tag Clouds, a project he began in the early 2010s that involves directly altering existing graffiti tags in public space. Using neutral, default-style typefaces that echo digital interfaces, Tremblin “translates” quick, stylized tags into clean, readable signatures—making names that most pedestrians would usually overlook suddenly impossible to miss. The series has appeared across multiple European cities, sometimes carried out with Tremblin dressed like a municipal worker. Even though the results look tidy and official, they’re typically unauthorized, sitting in a legal gray area. Inside graffiti culture, Tag Clouds is divisive: some writers view it as a disrespectful distortion, while others see it as a form of preservation. Tremblin positions the work not as erasure or correction, but as a translation of an existing urban language. #Archivitory

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House in Mexico City. Volcanic stone, glass blocks, and filtered light create imagined spaces where nature and structure converse softly. Honoring Wright’s philosophy that architecture should grow out of its surroundings, not overshadow them.

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Futuristic hotel and transmitter tower atop Mount Ještěd, designed by Karel Hubáček (1966–73). A space-age icon of Czech modernism that seems to grow straight from the mountain itself. 📍Liberec, Czech Republic #modernism #spaceagedesign #jested #czecharchitecture #Archivitory