Slash

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repost from @slash repost from @tharockshow_oficial LOUDER THAN EVERYONE ELSE! MOTÖRHEAD RIPPING NOTTINGHAM (AUG 20, 1980)! iiii]; )'

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10.2.26

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Credit to @slash repost from @jimmypage On this day in 1983, I played the first ARMS concert at @royalalberthall When asked, I immediately agreed to take part in the ARMS concert at the Royal Albert Hall organised by Ronnie Lane to raise funds for Action Research into Multiple Sclerosis. But then it suddenly hit me that nearly everyone involved had had a solo career except for me. I also hadn’t been on stage since Led Zeppelin three years earlier. At rehearsals I thought, ‘God, what have I got myself into?’ It didn’t matter, though. The spirit of the event was such that everybody pulled together. Nobody was trying to upstage anybody else; we all just pitched in, united in our love for Ronnie. I didn’t feel comfortable going out there and just doing Led Zeppelin songs. So instead I decided to build my set around the Death Wish II material I had been working on. One of the pieces was based on Chopin’s Prelude in E Minor, a particular favourite of mine. Setlist: I. Prelude in E Minor II. City Sirens III. Who’s To Blame IV. Stairway to Heaven (Instrumental) iiii]; )'

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Credit to @slash repost from @lostboysmusical Spending the day with The Lost Boys on Broadway? Have to have @ayeshacurry on bass and @stephencurry30 on drums.🔥 • 📸 cover photo by @marqwallsnyc iiii]; )'

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repost from @slash repost from @missmissyphilly Joni Mitchell Woodstock 1969 Celebration at Big Sur is a film of the 1969 Big Sur Folk Festival in Big Sur, California, featuring Crosby, Stills, Nash and Young, Joan Baez, Joni Mitchell and others. Woodstock” is a song written by Canadian-American singer-songwriter Joni Mitchell. At least four versions of the song were released in 1970. Mitchell’s own version was first performed live in 1969 and appeared in April 1970 on her album Ladies of the Canyon and as the B-side to her single “Big Yellow Taxi”. A version by Crosby, Stills, Nash & Young appeared on their album Déjà Vu in March 1970 and became a staple of classic rock radio and the best-known version of the song in the United States. A third version, by the British band Matthews Southern Comfort, became the best-known version in the United Kingdom and was the highest charting version of the song in the UK, reaching the top of the Singles Chart in 1970. A fourth version by studio project the Assembled Multitude also became a chart hit. Joni Mitchell’s lyrics were based on the description of the Woodstock Music and Art Festival she was given by her then-boyfriend, Graham Nash. She had not been able to go to the festival herself because a manager had told her that it would be more advantageous for her to appear on The Dick Cavett Show. #jonimitchell #woodstock #esalen #bigsur #folkrock iiii]; )'

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repost from @slash repost from @punt_rd William Shatner’s version of Elton John’s ‘Rocket Man’ is everything!!! #williamshatner #shatner #startrek #eltonjohn iiii]; )'

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repost from @slash repost from @ericgalesband Some songs carry the weight of a nation. The National Anthem, live from B.B. King’s in Memphis. #ericgales #nationalanthem #starspangledbanner #neverforget iiii]; )'

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🚨 Flying Blind by Slash featuring Myles Kennedy & The Conspirators OUT 02.26.27 🚨 PRE-ORDER LENTICULAR 2-DISC VINYL LENTICULAR CD Click the link in bio now to get your copy! #slashnews #gibsonrecords

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🚨 Announcing the new album by Slash featuring Myles Kennedy & The Conspirators, Flying Blind! OUT 02.26.27 🚨 The first single, Flying Blind, is OUT NOW on all streaming platforms. Check it out! Click the link in bio NOW to pre-order the album! #slashnews #gibsonrecords

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repost from @slash repost from @themeparkvibez Hollywood Drift Supra POV, and it’s every bit as intense as you’d expect. The speed, the launches, and those sweeping turns are already making this one of the most anticipated coasters in California. #FastAndFurious #HollywoodDrift #UniversalStudiosHollywood @unistudios iiii]; )'

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repost from @slash repost from @legendaryc0ncerts On July 21, 1979, AC/DC took the stage at the Oakland-Alameda County Coliseum as part of Bill Graham’s legendary Day on the Green festival series, appearing on the massive Day on the Green bill alongside Aerosmith and Ted Nugent. Despite their midday position, AC/DC’s performance is widely remembered as one of the highlights of the event. Even more remarkably, the show came just six days before the Highway to Hell album was released in North America, capturing the band at the exact moment they were moving from cult favorites toward global superstardom. The lineup was Bon Scott on lead vocals, Angus Young on lead guitar, Malcolm Young on rhythm guitar and backing vocals, Cliff Williams on bass and backing vocals, and Phil Rudd on drums. The synchronization between Angus and Malcolm Young created the unmistakable AC/DC guitar attack, while Phil Rudd and Cliff Williams provided the relentless rhythmic foundation. Above it all was Bon Scott, whose stage presence gave the performance its raw, dangerous energy. The 1979 Day on the Green footage remains one of the most significant filmed documents of the Bon Scott era. It captures AC/DC at the height of their original power, just months before Scott’s untimely death in February 1980. Watching this performance today feels like witnessing a band standing on the edge of becoming one of the biggest forces in rock history, with every riff, scream, and beat carrying the unmistakable electricity of Bon Scott-era AC/DC. #ACDC #HighwayToHell #BonScott #ClassicRock #RockHistory iiii]; )'